母亲(1926)

伍瑟沃罗德·普多夫金的代表作之一，改编自高尔基的同名小说，和《战舰波将金》一样是代表苏联蒙太奇学派探索成就的佳作之一。这部作品和普多夫金的另外两部代表作《圣彼得堡的末日》和《成吉思汗的后代》一样都是以“思想觉悟”作为共同的主题。苏联早期的默片都喜欢和历史事件联系上。This is one of the classic Soviet silent films. The story is about a family torn apart by a worker"s strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike. The plot is similar to other Soviet films of the era but does focus more on the individual than some of Eisenstein"s films. The mother and son do represent the collective but they are also strong characters on their own.
The best part of the film is the editing. It is always sharp and quick. When there is action, the edits are fast and give the viewer a sense of chaos. The Soviets were masters of montage and this film is a prime example. The acting is also better than in most silent films. It is clear that the actors come from the serious stage and not Vaudeville. The cinematography is somewhat average, though, and the film feels a little flat at times. It is not perfect, but it is worth seeing for all and essential viewing for those interested in Russian film or montage.欲知母亲(1926)如何，红豆戏曲网请您欣赏母亲(1926)视频唱词或者下载收藏。母亲(1926)相关剧本视频由红豆戏曲网—精粹戏曲文化大观园（整理），转载请注明！谢谢！